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,window. Dwele, first heard on the cool, relaxed chorus of Slum Village's "Tainted," isn't a leather-lunged shouter or, the likely guess, a silky-smooth crooner.Like Gaye before him, he sounds more content and more inspired when the reins are in his hands. It follows “Nutshell” and finds Phife serenading a girl in a full on romantic blitz, dropping rhymes about feeling “pure ecstasy/ When we exchange pleasantries,” while Dwele holds down the neo-R&B hook.
That stubbornness makes him a difficult artist to pigeon-hole but an easy one to enjoy, especially for listeners tired of hearing constant repetition in R&B.
"What can go up a chimney down but can't go down a chimney up?
" Marion Rankine begins her wide-ranging survey of the umbrella and its significance with this riddle.
That title may be a clunker of monstrous proportions, but the disc itself is confidently self-assured, particularly the second half. is a solid collection of hip-hop-leaning soul jazz. It's a collaboration with Nottz, who seemingly has appeared everywhere with anyone since the beginning of the decade, on the burner "I Wish" that opens the album.
It still comes with its fair share of awkwardness and grasps at the past, but for the most part W. The song itself is all hook and syrupy funk, and it feels great where it is.
Mostly self-produced and recorded at his home in Detroit, Subject favors the gauzy beats-and-bliss production style of Slum Village auteur Jay Dee.